Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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william r clark
fohn forres expedition rastar nara murchison flodes kallor under farden 1874 fran vastra australien till telrgraflinjen soder om alice springs.

ID: 59336

william r clark fohn forres expedition rastar nara murchison flodes kallor under farden 1874 fran vastra australien till telrgraflinjen soder om alice springs.
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william r clark fohn forres expedition rastar nara murchison flodes kallor under farden 1874 fran vastra australien till telrgraflinjen soder om alice springs.


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william r clark

1829-1912  Related Paintings of william r clark :. | feniciska han dels och krigsgartyg,omkr. | lantmatare i san fuanbergen i colorado 1876 | rekonsteuktion av en handelse under franklins | den svenske forskningsresande sven hedin fardades 1000 tals mil genom foga kanda trakter i centralasen mellan 1890 och 1930 talen, fyra av hns humdrat | brittiska valfangare i arbete pa gronland omkring 1720 |
Related Artists:
BASTIANI, Lazzaro
Italian painter, Venetian school (b. 1449, Venezia, d. 1512, Venezia) Italian painter. He is first recorded in 1449, as a painter in Venice and in 1460 he was paid for an altarpiece in S Samuele there. Although no extant work is securely documented, several are signed and two are dated. The influence of Andrea del Castagno is clear in his early works, of the 1460s: the signed mosaic of St Sergius (Venice, S Marco), the Archangel Gabriel (Padua, Mus. Civ.) and the signed Piet? (Venice, S Antonino). Also assigned to this period are the Adoration of the Magi (New York, Frick), the polyptych of St Francis (Matera, S Francesco), the St Jerome.
Hugo Briger
1854-1887
Giovanni Paolo Pannini
1691-1765 Italian Giovanni Paolo Pannini Galleries Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.






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